The naked and the dead: The Jewish male body and masculinity in Sunshine and Enemy at the Gates

Peter Lehman, Susan Hunt

Research output: Chapter in Book/Report/Conference proceedingChapter

3 Citations (Scopus)
Original languageEnglish (US)
Title of host publicationThe Persistence of Whiteness: Race and Contemporary Hollywood Cinema
PublisherRoutledge Taylor & Francis Group
Pages157-164
Number of pages8
ISBN (Print)0203939743, 9780203939741
DOIs
StatePublished - Sep 30 2007

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Male Body
Enemy
Masculinity

ASJC Scopus subject areas

  • Arts and Humanities(all)

Cite this

Lehman, P., & Hunt, S. (2007). The naked and the dead: The Jewish male body and masculinity in Sunshine and Enemy at the Gates. In The Persistence of Whiteness: Race and Contemporary Hollywood Cinema (pp. 157-164). Routledge Taylor & Francis Group. https://doi.org/10.4324/9780203939741

The naked and the dead : The Jewish male body and masculinity in Sunshine and Enemy at the Gates. / Lehman, Peter; Hunt, Susan.

The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. Routledge Taylor & Francis Group, 2007. p. 157-164.

Research output: Chapter in Book/Report/Conference proceedingChapter

Lehman, P & Hunt, S 2007, The naked and the dead: The Jewish male body and masculinity in Sunshine and Enemy at the Gates. in The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. Routledge Taylor & Francis Group, pp. 157-164. https://doi.org/10.4324/9780203939741
Lehman P, Hunt S. The naked and the dead: The Jewish male body and masculinity in Sunshine and Enemy at the Gates. In The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. Routledge Taylor & Francis Group. 2007. p. 157-164 https://doi.org/10.4324/9780203939741
Lehman, Peter ; Hunt, Susan. / The naked and the dead : The Jewish male body and masculinity in Sunshine and Enemy at the Gates. The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. Routledge Taylor & Francis Group, 2007. pp. 157-164
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