The demon's nun: FOMMA and the embodied politics of gendered visibility in Mayan Mexico

Tamara Underiner

doi:10.1017/S030788331000009X

The demon's nun: FOMMA and the embodied politics of gendered visibility in Mayan Mexico

Tamara Underiner

New American Film School

Research output: Contribution to journal › Short survey › peer-review

Abstract

This contribution to the performance dossier situates this 2003 play within the larger body of FOMMA's work and within the sociopolitical context of neoliberalism within Mexico, which has disproportionately affected indigenous communities in general, and indigenous women in particular.

Original language	English (US)
Pages (from-to)	178-182
Number of pages	5
Journal	Theatre Research International
Volume	35
Issue number	2
DOIs	https://doi.org/10.1017/S030788331000009X
State	Published - Jul 1 2010

ASJC Scopus subject areas

Visual Arts and Performing Arts
Literature and Literary Theory

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abstract = "This contribution to the performance dossier situates this 2003 play within the larger body of FOMMA's work and within the sociopolitical context of neoliberalism within Mexico, which has disproportionately affected indigenous communities in general, and indigenous women in particular.",

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The demon's nun: FOMMA and the embodied politics of gendered visibility in Mayan Mexico

Abstract

ASJC Scopus subject areas

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