"We are only what we remember, nothing more": History and healing in Romesh Gunesekera's Reef

Research output: Contribution to journalArticle

3 Citations (Scopus)

Abstract

Following the rise of memory studies, several scholars have investigated the terrain between (and dividing) memory and history. Romesh Gunesekera's Booker-shortlisted 1994 novel Reef presents a fictional meditation on this issue, heavily wrapped in metaphor. The work has been criticized for its narrative perspective: following the experiences of a young chef and his marine biologist employer, ultimately forced to leave an increasingly violent Sri Lanka. First-person protagonist Triton, eschewing extended discussion about this unfolding political crisis, focuses instead on lengthy descriptions of the food he prepares and the cycles of the nearby sea. But these seemingly "unnecessary" and even "exoticized" passages offer a complex metaphorical comparison between memory and history. Consistently, ocean waves reflect a relentless, terrifying progression of history, the current tide threatening to drown national plurality. Triton's flight to the kitchen counters the sea's "history" by considering cooking and consumption a project of alternative historiography and healing.

Original languageEnglish (US)
Pages (from-to)83-98
Number of pages16
JournalJournal of Commonwealth Literature
Volume42
Issue number3
DOIs
StatePublished - 2007
Externally publishedYes

Fingerprint

Healing
History
Sri Lanka
Progression
Protagonist
Food
Employers
Political Crisis
Meditation
Fiction
Ocean
First Person
Chefs
Historiography
Flight
Kitchen
Memory Studies
Plurality
Waves
Cooking

Keywords

  • Food
  • History
  • Memory
  • Pierre Nora
  • Reef
  • Romesh Gunesekera

ASJC Scopus subject areas

  • Literature and Literary Theory

Cite this

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