Abstract
Four works of Latin American/Chicano theatre are examined in terms of their construction of the queer body: Nelson Rodrigues's O beijo no asfalto; Luis Alfaro's "Cuerpo politizadi"; Virgilio Piñera's Una caja de zapatos vacía; and Copi's Eva Perón. Of interest is the demonstration of how social ideologies of sexuality, particularly homophobia, mean that it cannot be a question of works of cultural production simply "representing" the queer body, but rather of "creating" it as part of a particular structure of sexual semiotics.
Translated title of the contribution | The queer body representation in the Latin American theater |
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Original language | Spanish |
Pages (from-to) | 23-38+3 |
Journal | Latin American Theatre Review |
Volume | 38 |
Issue number | 1 |
State | Published - Sep 1 2004 |
ASJC Scopus subject areas
- Visual Arts and Performing Arts