The business of writing

literature as a commodity in Claudia Piñeiro’s Betibú

Research output: Contribution to journalArticle

Abstract

This article presents considerations about the status of literature as a commodity and writers as professionals in the twenty-first century. These considerations are based on an analysis of Argentine writer Claudia Piñeiro’s Betibú (2011), which follows the story of an Argentine crime novel writer who becomes a ghostwriter after her latest novel receives harsh reviews for being considered commercial rather than literary. I argue that the novel in question points out misconceptions about the influence of the book industry on the aesthetic quality of literary writing, highlighting the need for literary criticism to look into everyday relations between readers, authors, and editors.

Original languageEnglish (US)
Pages (from-to)1-17
Number of pages17
JournalCultural Studies
DOIs
StateAccepted/In press - Mar 10 2018

Fingerprint

commodity
writer
ghostwriter
literary criticism
twenty-first century
aesthetics
editor
offense
industry
literature
Commodities
Writer
Novel
Crime Novels
Literary Writing
Reader
Literary Criticism
Misconceptions
Book Industry
Aesthetics

Keywords

  • Argentine literature
  • book culture
  • crime fiction
  • Latin American culture
  • Literature as commodity
  • writers as professionals

ASJC Scopus subject areas

  • Cultural Studies
  • Anthropology
  • Arts and Humanities (miscellaneous)
  • Social Sciences(all)

Cite this

The business of writing : literature as a commodity in Claudia Piñeiro’s Betibú. / Bezerra, Ligia.

In: Cultural Studies, 10.03.2018, p. 1-17.

Research output: Contribution to journalArticle

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