Abstract
The author discusses the concepts he has developed while gathering sound(s) and images for projects engaging politics and place, often at sites where human rights abuses have taken place. These works include recordings made at several Japanese-American and Aleut internment sites and at Nazi concentration camps, as well as borderlands works, environmental works on water use in the U.S. Southwest, and works addressing climate change in the Arctic.
Original language | English (US) |
---|---|
Pages (from-to) | 57-62 |
Number of pages | 6 |
Journal | Leonardo Music Journal |
Volume | 25 |
DOIs | |
State | Published - Dec 1 2015 |
ASJC Scopus subject areas
- Engineering (miscellaneous)
- Music
- Computer Science Applications