Review of algorithms for perceptual coding of digital audio signals

Ted Painter; Andreas Spanias

Review of algorithms for perceptual coding of digital audio signals

Ted Painter, Andreas Spanias

Electrical Engineering

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

49 Scopus citations

Abstract

Algorithms for perceptually transparent coding of high-fidelity compact disc (CD)-quality digital audio signals are reviewed, including both research and standardization activities. Psychoacoustic principles are described with the Motion Picture Experts Group (MPEG) psychoacoustic signal analysis model. Methodologies which achieve perceptually transparent coding of frequency modulation (FM)- and CD-quality audio signal are also reviewed, including algorithms and applications of those techniques which utilize psychoacoustic models to exploit efficiently masking characteristics of the human receiver. Several algorithms which have become international and/or commercial standards are also presented.

Original language	English (US)
Title of host publication	International Conference on Digital Signal Processing, DSP
Editors	Anon
Place of Publication	Piscataway, NJ, United States
Publisher	IEEE
Pages	179-208
Number of pages	30
Volume	1
State	Published - 1997
Event	Proceedings of the 1997 13th International Conference on Digital Signal Processing, DSP. Part 2 (of 2) - Santorini, Greece Duration: Jul 2 1997 → Jul 4 1997

Other

Other	Proceedings of the 1997 13th International Conference on Digital Signal Processing, DSP. Part 2 (of 2)
City	Santorini, Greece
Period	7/2/97 → 7/4/97

ASJC Scopus subject areas

Signal Processing

Cite this

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title = "Review of algorithms for perceptual coding of digital audio signals",

abstract = "Algorithms for perceptually transparent coding of high-fidelity compact disc (CD)-quality digital audio signals are reviewed, including both research and standardization activities. Psychoacoustic principles are described with the Motion Picture Experts Group (MPEG) psychoacoustic signal analysis model. Methodologies which achieve perceptually transparent coding of frequency modulation (FM)- and CD-quality audio signal are also reviewed, including algorithms and applications of those techniques which utilize psychoacoustic models to exploit efficiently masking characteristics of the human receiver. Several algorithms which have become international and/or commercial standards are also presented.",

author = "Ted Painter and Andreas Spanias",

year = "1997",

language = "English (US)",

volume = "1",

pages = "179--208",

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note = "Proceedings of the 1997 13th International Conference on Digital Signal Processing, DSP. Part 2 (of 2) ; Conference date: 02-07-1997 Through 04-07-1997",

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AU - Painter, Ted

AU - Spanias, Andreas

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AB - Algorithms for perceptually transparent coding of high-fidelity compact disc (CD)-quality digital audio signals are reviewed, including both research and standardization activities. Psychoacoustic principles are described with the Motion Picture Experts Group (MPEG) psychoacoustic signal analysis model. Methodologies which achieve perceptually transparent coding of frequency modulation (FM)- and CD-quality audio signal are also reviewed, including algorithms and applications of those techniques which utilize psychoacoustic models to exploit efficiently masking characteristics of the human receiver. Several algorithms which have become international and/or commercial standards are also presented.

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M3 - Conference contribution

AN - SCOPUS:0031337904

VL - 1

SP - 179

EP - 208

BT - International Conference on Digital Signal Processing, DSP

A2 - Anon, null

PB - IEEE

CY - Piscataway, NJ, United States

T2 - Proceedings of the 1997 13th International Conference on Digital Signal Processing, DSP. Part 2 (of 2)

Y2 - 2 July 1997 through 4 July 1997

ER -

Review of algorithms for perceptual coding of digital audio signals

Abstract

Other

ASJC Scopus subject areas

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Cite this