Reeds

A responsive environmental sound installation

Research output: Contribution to journalArticle

2 Citations (Scopus)

Abstract

This article discusses the responsive sound installation Reeds. The Reeds project was commissioned by the Melbourne International Festival of the Arts in 2000, and first exhibited in November and December of that year on the Ornamental Lake at the Royal Botanic Gardens, Melbourne. It consists of twenty-one large floating sculptures, 1 modelled to represent clusters of river reeds in immaculate man-made plantings. Each reed pod2 contains a collection of electronics for either the gathering of weather information or the reception and dispersion of sound. The sound installation gathered data from two real-time weather stations, and produced eight channels of musical output by interpreting the machine unit pulses of the weather data as pulse inputs to Inverse Fast Fourier Transform (IFFT) algorithms. The Reeds project focused on a consideration of multiple streams of chaotic and constantly varying sound. I was interested in exploring whether the sonic environment would remain homogenous even though, unlike a musical ensemble, the control inputs varied randomly and independently of each other. The sound installation was site specific, reflecting directly upon the environment it inhabited, both in terms of its visual quality, and aesthetic of the sound.

Original languageEnglish (US)
Pages (from-to)139-149
Number of pages11
JournalOrganised Sound
Volume8
Issue number2
DOIs
StatePublished - 2003
Externally publishedYes

Fingerprint

Acoustic waves
Fast Fourier transforms
Lakes
Sound
Weather
Sound Installation
Electronic equipment
Rivers
Pulse
Melbourne
Reception
Art
Aesthetics
Ensemble

ASJC Scopus subject areas

  • Music
  • Computer Science Applications

Cite this

Reeds : A responsive environmental sound installation. / Paine, Garth.

In: Organised Sound, Vol. 8, No. 2, 2003, p. 139-149.

Research output: Contribution to journalArticle

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