Race, sex, slavery: Reading Fanon with Aucassin et Nicolette

Research output: Contribution to journalArticle

1 Citation (Scopus)

Abstract

In Black Skin, White Masks, Frantz Fanon suggests that the history of slavery, and indeed the history of the construction of race itself, continues to enslave those constructed as black in the present. While much contemporary race theory identifies the construction of race as a phenomenon coextensive with modernity, medieval texts like Aucassin et Nicolette suggest a much deeper historical sedimentation of racial constructions, as well as their imbrication with class and gender. An examination of Aucassin et Nicolette in terms of these imbrications reveals the constructedness of these categories in the distant past, and allows them a more thorough historicization: the historical continuity from the Middle Ages to post-Hegelian phenomenology challenges traditional periodizations and extends Fanon's understanding of the relations among race, class, gender and history.

Original languageEnglish (US)
Pages (from-to)12-22
Number of pages11
JournalPostmedieval
Volume6
Issue number1
DOIs
StatePublished - Apr 20 2015

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slavery
historicization
history
periodization
gender
phenomenology
middle ages
modernity
continuity
examination
Slavery
History
Frantz Fanon
present
Medieval Period

ASJC Scopus subject areas

  • Cultural Studies
  • Philosophy
  • Literature and Literary Theory
  • History

Cite this

Race, sex, slavery : Reading Fanon with Aucassin et Nicolette. / Sturges, Robert.

In: Postmedieval, Vol. 6, No. 1, 20.04.2015, p. 12-22.

Research output: Contribution to journalArticle

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