Performing race and torture on the early modern stage

Research output: Book/ReportBook

1 Citation (Scopus)

Abstract

Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances.

Original languageEnglish (US)
PublisherTaylor and Francis
Number of pages174
ISBN (Electronic)9780203935354
DOIs
StatePublished - Jan 1 2013
Externally publishedYes

Fingerprint

Torture
Racial Identity
Enlightenment
Visible
Materiality
Fluidity
Performance Theory
Contradictory
Restoration
Conception

ASJC Scopus subject areas

  • Arts and Humanities(all)

Cite this

Performing race and torture on the early modern stage. / Thompson, Ayanna.

Taylor and Francis, 2013. 174 p.

Research output: Book/ReportBook

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