Performing articulation and expression through a haptic interface

Research output: Chapter in Book/Report/Conference proceedingConference contribution

5 Citations (Scopus)

Abstract

While digital technologies offer a host of new sonic possibilities, we are no longer dealing with the physical vibrations of strings, tubes and solid bodies as the sound source, but rather with the impalpable numerical streams of digital signal processing (DSP). As a result, when we perform with digital musical instruments (DMIs), we can no longer make use of haptic feedback provided through the body of the instrument itself. Furthermore, many DMIs are derived from interfaces designed for effortlessly smooth human-computer interaction. Here, however, the struggle afforded by the resistance and physical forces of acoustic instruments, which I will argue is integral to musical performance, is all but lost. This paper discusses the musical outcomes of an exploration into the use of a haptic interface as an instrument for the performance of digital music. I will argue that it is the reintroduction of these tangible forces that is crucial for the articulation and effectuation of sonic ideas. In particular, the instrument will be discussed in relation to the work Running Backwards, Uphill (2011) for piano trio and live electronics, where a potentially high level of sophistication of expression was required that would allow the laptop performer to embody the musical intentions of the piece.

Original languageEnglish (US)
Title of host publicationICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012
PublisherInternational Computer Music Association
Pages400-403
Number of pages4
ISBN (Print)9780984527410
StatePublished - 2012
Externally publishedYes
Event38th International Computer Music Conference, ICMC 2012 - Ljubljana, Slovenia
Duration: Sep 9 2012Sep 14 2012

Other

Other38th International Computer Music Conference, ICMC 2012
CountrySlovenia
CityLjubljana
Period9/9/129/14/12

Fingerprint

Haptic interfaces
Musical instruments
Human computer interaction
Digital signal processing
Interfaces (computer)
Electronic equipment
Acoustics
Acoustic waves
Feedback
Haptics
Articulation
Musical Instruments
Physical

ASJC Scopus subject areas

  • Arts and Humanities (miscellaneous)
  • Computer Science Applications
  • Media Technology

Cite this

Hayes, L. (2012). Performing articulation and expression through a haptic interface. In ICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012 (pp. 400-403). International Computer Music Association.

Performing articulation and expression through a haptic interface. / Hayes, Lauren.

ICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012. International Computer Music Association, 2012. p. 400-403.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Hayes, L 2012, Performing articulation and expression through a haptic interface. in ICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012. International Computer Music Association, pp. 400-403, 38th International Computer Music Conference, ICMC 2012, Ljubljana, Slovenia, 9/9/12.
Hayes L. Performing articulation and expression through a haptic interface. In ICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012. International Computer Music Association. 2012. p. 400-403
Hayes, Lauren. / Performing articulation and expression through a haptic interface. ICMC 2012: Non-Cochlear Sound - Proceedings of the International Computer Music Conference 2012. International Computer Music Association, 2012. pp. 400-403
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