Orientalism in art: The case of john frederick lewis

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

Surveying the concept of Orientalism in the nineteenth century, this chapter explores diverse views of Orientalist art: popular images of the “Orient” in French and British art; the circulation of Indian crafts in international exhibitions, museum collections, and paintings; myths of colonial art production displayed at world's fairs; and the trickle down of “Oriental” goods in everyday European domestic interiors and dress. These exchanges represented a flow of influence from the colonies to Britain and France, but also the unequal political and economic power between colonizer and colonized. Visual representation shaped imperial politics and public notions of race, gender, and an imaginary Orient that, however invented, guided oppressive imperial policies in many administrative directions.

Original languageEnglish (US)
Title of host publicationA Companion to Nineteenth-Century Art
PublisherWiley
Pages121-138
Number of pages18
ISBN (Electronic)9781118856321
ISBN (Print)9781118856369
DOIs
StatePublished - Jan 1 2018

Keywords

  • Browne
  • Colonialism
  • Delacroix
  • Harem
  • Henrietta
  • Orientalism
  • Other
  • Said

ASJC Scopus subject areas

  • Arts and Humanities(all)

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  • Cite this

    Codell, J. (2018). Orientalism in art: The case of john frederick lewis. In A Companion to Nineteenth-Century Art (pp. 121-138). Wiley. https://doi.org/10.1002/9781118856321.ch8