Abstract
Nearly two decades after its inception as a workshop at the ACM Conference on Human Factors in Computing Systems, NIME exists as an established international conference significantly distinct from its precursor. While this origin story is often noted, the implications of NIME’s history as emerging from a field predominantly dealing with human-computer interaction have rarely been discussed. In this paper we highlight many of the recent—and some not so recent—challenges that have been brought upon the NIME community as it attempts to maintain and expand its identity as a platform for multidisciplinary research into HCI, interface design, and electronic and computer music. We discuss the relationship between the market demands of the neoliberal university—which have underpinned academia’s drive for innovation—and the quantification and economisa-tion of research performance which have facilitated certain disciplinary and social frictions to emerge within NIME-related research and practice. Drawing on work that engages with feminist theory and cultural studies, we suggest that critical reflection and moreover mediation is necessary in order to address burgeoning concerns which have been raised within the NIME discourse in relation to methodological approaches, ‘diversity and inclusion’, ‘accessibility’, and the fostering of rigorous interdisciplinary research.
Original language | English (US) |
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Pages (from-to) | 428-433 |
Number of pages | 6 |
Journal | Proceedings of the International Conference on New Interfaces for Musical Expression |
State | Published - 2020 |
Externally published | Yes |
Event | 20th International Conference on New Interfaces for Musical Expression, NIME 2020 - Birmingham, United Kingdom Duration: Jul 21 2020 → Jul 25 2020 |
Keywords
- Accessibility
- Creative practice research
- Diversity
- Inclusion
- Interdisciplinarity
- Research methodologies
ASJC Scopus subject areas
- Human-Computer Interaction
- Hardware and Architecture
- Signal Processing
- Control and Systems Engineering
- Instrumentation
- Computer Science Applications
- Music