Live electronic music performance

Embodied and enactive approaches

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Abstract

Mini Savior Opt. (2017) is a twenty-five minute live electronic performance which demonstrates an enactive and embodied approach to interactive and improvisational music systems. The piece was formed out of a playful exploration of my most recent hybrid analogue/digital performance system. An excessive number of components mutually affect each other through an ecological network of sound analysis and digital signal processing (DSP). Engaging with different parts of the instrument through tangible and haptic controllers, I bring a sense of immediacy into my hands: the slightest movement may trigger a drastic change in sound, which in turn may activate other processes within the network. Through the physical struggle, the performer, vulnerable to the fragile instabilities that have been potentialised, attempts to navigate the performance space.

Original languageEnglish (US)
Title of host publicationProceedings of the 5th International Conference on Movement and Computing, MOCO 2018
PublisherAssociation for Computing Machinery
ISBN (Electronic)9781450365048
DOIs
StatePublished - Jun 28 2018
Event5th International Conference on Movement and Computing, MOCO 2018 - Genoa, Italy
Duration: Jun 28 2018Jun 30 2018

Other

Other5th International Conference on Movement and Computing, MOCO 2018
CountryItaly
CityGenoa
Period6/28/186/30/18

Fingerprint

Acoustic waves
Digital signal processing
Controllers

Keywords

  • Embodiment.
  • Enaction
  • Haptic
  • Movement
  • Perception
  • Touch

ASJC Scopus subject areas

  • Human-Computer Interaction
  • Computer Networks and Communications
  • Computer Vision and Pattern Recognition
  • Software

Cite this

Hayes, L. (2018). Live electronic music performance: Embodied and enactive approaches. In Proceedings of the 5th International Conference on Movement and Computing, MOCO 2018 [a52] Association for Computing Machinery. https://doi.org/10.1145/3212721.3212891

Live electronic music performance : Embodied and enactive approaches. / Hayes, Lauren.

Proceedings of the 5th International Conference on Movement and Computing, MOCO 2018. Association for Computing Machinery, 2018. a52.

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Hayes, L 2018, Live electronic music performance: Embodied and enactive approaches. in Proceedings of the 5th International Conference on Movement and Computing, MOCO 2018., a52, Association for Computing Machinery, 5th International Conference on Movement and Computing, MOCO 2018, Genoa, Italy, 6/28/18. https://doi.org/10.1145/3212721.3212891
Hayes L. Live electronic music performance: Embodied and enactive approaches. In Proceedings of the 5th International Conference on Movement and Computing, MOCO 2018. Association for Computing Machinery. 2018. a52 https://doi.org/10.1145/3212721.3212891
Hayes, Lauren. / Live electronic music performance : Embodied and enactive approaches. Proceedings of the 5th International Conference on Movement and Computing, MOCO 2018. Association for Computing Machinery, 2018.
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