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JAZZ, the WOUND: NEGATIVE IDENTITY, CULTURE, and the PROBLEM of WEAK SUBJECTIVITY in THEODOR ADORNO'S TWENTIETH CENTURY
Eric Oberle
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Review article
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peer-review
2
Scopus citations
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Dive into the research topics of 'JAZZ, the WOUND: NEGATIVE IDENTITY, CULTURE, and the PROBLEM of WEAK SUBJECTIVITY in THEODOR ADORNO'S TWENTIETH CENTURY'. Together they form a unique fingerprint.
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Arts & Humanities
Theodor W. Adorno
100%
Jazz
59%
Adorno's Critique
44%
Political Theory
40%
Idealism
39%
Political Subjectivity
39%
Aesthetic Politics
39%
Social Knowledge
38%
History
37%
Cultural Identity
37%
Frankfurt School
35%
Cultural Nationalism
35%
Object Relations
32%
Aesthetics
29%
Cultural Production
29%
Modern Era
29%
Transatlantic
29%
Historical Account
28%
Cultural Studies
26%
Racism
26%
Philosophy
24%
Rise
18%
Social Sciences
jazz
76%
twentieth century
72%
aesthetics
51%
Frankfurt School
39%
antisemitism
37%
idealism
35%
history
29%
political theory
29%
cultural identity
28%
cultural studies
27%
nationalism
25%
subjectivity
24%
racism
24%
examination
16%
politics
15%