Abstract
This article is intended to raise some points of interest and mark out some pointers for alternative approaches to the design and execution of interactive music systems and artworks which pursue interaction that: • does not include any pre-defined pathways, • takes dynamic morphology as its foundation, and • implements dynamic software infrastructures, built on the object-oriented model, providing dynamic instrument instantiation, orchestration and timbral control. It is intended that such design would be a precursor to a new approach to interactivity that responds more directly and uniquely to those who engage in the work, and in so doing rewards them more richly for their time, energy and enthusiasm.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 295-304 |
| Number of pages | 10 |
| Journal | Organised Sound |
| Volume | 7 |
| Issue number | 3 |
| DOIs | |
| State | Published - 2002 |
| Externally published | Yes |
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ASJC Scopus subject areas
- Music
- Computer Science Applications
Cite this
Interactivity, where to from here? / Paine, Garth.
In: Organised Sound, Vol. 7, No. 3, 2002, p. 295-304.Research output: Contribution to journal › Article
}
TY - JOUR
T1 - Interactivity, where to from here?
AU - Paine, Garth
PY - 2002
Y1 - 2002
N2 - This article is intended to raise some points of interest and mark out some pointers for alternative approaches to the design and execution of interactive music systems and artworks which pursue interaction that: • does not include any pre-defined pathways, • takes dynamic morphology as its foundation, and • implements dynamic software infrastructures, built on the object-oriented model, providing dynamic instrument instantiation, orchestration and timbral control. It is intended that such design would be a precursor to a new approach to interactivity that responds more directly and uniquely to those who engage in the work, and in so doing rewards them more richly for their time, energy and enthusiasm.
AB - This article is intended to raise some points of interest and mark out some pointers for alternative approaches to the design and execution of interactive music systems and artworks which pursue interaction that: • does not include any pre-defined pathways, • takes dynamic morphology as its foundation, and • implements dynamic software infrastructures, built on the object-oriented model, providing dynamic instrument instantiation, orchestration and timbral control. It is intended that such design would be a precursor to a new approach to interactivity that responds more directly and uniquely to those who engage in the work, and in so doing rewards them more richly for their time, energy and enthusiasm.
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U2 - 10.1017/S1355771802003096
DO - 10.1017/S1355771802003096
M3 - Article
VL - 7
SP - 295
EP - 304
JO - Organised Sound
JF - Organised Sound
SN - 1355-7718
IS - 3
ER -