Emotional contraband: Prison as metaphor and meaning in U.S. Latina drama

Research output: Chapter in Book/Report/Conference proceedingChapter

4 Citations (Scopus)
Original languageEnglish (US)
Title of host publicationCaptive Audience: Prison and Captivity in Contemporary Theater
PublisherRoutledge
Pages25-40
Number of pages16
ISBN (Print)0203494857, 9780203494851
DOIs
StatePublished - Sep 12 2003
Externally publishedYes

Fingerprint

Emotion
Prison
Contraband
Drama
Latinas

ASJC Scopus subject areas

  • Arts and Humanities(all)

Cite this

Lopez, T. (2003). Emotional contraband: Prison as metaphor and meaning in U.S. Latina drama. In Captive Audience: Prison and Captivity in Contemporary Theater (pp. 25-40). Routledge. https://doi.org/10.4324/9780203494851

Emotional contraband : Prison as metaphor and meaning in U.S. Latina drama. / Lopez, Tiffany.

Captive Audience: Prison and Captivity in Contemporary Theater. Routledge, 2003. p. 25-40.

Research output: Chapter in Book/Report/Conference proceedingChapter

Lopez, T 2003, Emotional contraband: Prison as metaphor and meaning in U.S. Latina drama. in Captive Audience: Prison and Captivity in Contemporary Theater. Routledge, pp. 25-40. https://doi.org/10.4324/9780203494851
Lopez T. Emotional contraband: Prison as metaphor and meaning in U.S. Latina drama. In Captive Audience: Prison and Captivity in Contemporary Theater. Routledge. 2003. p. 25-40 https://doi.org/10.4324/9780203494851
Lopez, Tiffany. / Emotional contraband : Prison as metaphor and meaning in U.S. Latina drama. Captive Audience: Prison and Captivity in Contemporary Theater. Routledge, 2003. pp. 25-40
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