Cardenio: Shakespeare’s lost race play?

Research output: Chapter in Book/Report/Conference proceedingChapter

1 Scopus citations

Abstract

The History of Cardenio, Gary Taylor’s reconstructed/collaborative performance script, offers something new for the early modern canon, a romance whose central focus is a "mulatta" who marries the "white" son of a duke. For early modern race scholars, this text and future performances of it will provide new avenues for scholarship. Finally, we can theorize more fully about how race functions in the romance genre to balance out the tragedy-/Othello-obsessed focus of much of our research; the play, after all, ends with a double marriage instead of a murder-suicide. In addition, The History of Cardenio allows us to discuss the intersectionality of race, class, and gender in a much more comprehensive way, complementing and even challenging the Cleopatra-obsessed focus of much of our work on race and gender in the early modern period.

Original languageEnglish (US)
Title of host publicationThe Creation and Re-Creation of Cardenio
Subtitle of host publicationPerforming Shakespeare, Transforming Cervantes
PublisherPalgrave Macmillan
Pages227-234
Number of pages8
ISBN (Electronic)9781137344229
ISBN (Print)9781137344212
DOIs
StatePublished - Jan 1 2013
Externally publishedYes

    Fingerprint

ASJC Scopus subject areas

  • Arts and Humanities(all)

Cite this

Thompson, A. (2013). Cardenio: Shakespeare’s lost race play? In The Creation and Re-Creation of Cardenio: Performing Shakespeare, Transforming Cervantes (pp. 227-234). Palgrave Macmillan. https://doi.org/10.1057/9781137344229_15